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LYNDA BENGLIS
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Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. Along with other feminist artists, she challenged the cool, rationalist premise of the male-dominated Minimalist movement, refusing to accept limitations, whether political or aesthetic.

To find out more about any of the artwork for sale, or to purchase, please contact ISC Executive Director Johannah Hutchison, 609.689.1051 ext.304 or johannah@sculpture.org.

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