 |
| December
2004 |
 |
Vol.23
No.10 |
| A
publication of the International Sculpture Center |
Spiral
Jetty Weekend
|
|
|
|
Bob Phillips (far left) gives SLAC director Ric
Collier and Dia Art Foundation curator Lynne Cooke a first-hand
account of the construction of the jetty during the Friday field
trip. SLAC
curator Jim Edwards shares jetty history with Blair Madden (far
left) and Meredith Wortzel.
|
In
September the International Sculpture Center (ISC) and the Salt Lake Art
Center (SLAC) co-sponsored Spiral Jetty Weekend, a celebration of the
re-emergence of Robert Smithson's monumental earthwork located in the
Great Salt Lake in Utah. Over 100 participants from across the United
States took part in the weekend events, which included two separate trips
to view Spiral Jetty, optional air tours, reception at the Salt
Lake Art Center, and a panel discussion featuring Lynne Cooke, curator
of the Dia Art Foundation; Robert Hobbs, author of Robert Smithson
Sculpture (1981); Bob Phillips, lead construction worker on Spiral
Jetty; and Eugenie Tsai, curator of the Robert Smithson retrospective
at MOCA Los Angeles.
 |
|
ISC
members Sarah Ohman and Mark Stevenson exchange their wedding vows
during the Friday field trip.
|
Reasons for attending
the Spiral Jetty Weekend varied among the participants, from satisfying
a life-long desire to see Smithson's famous earthwork to wanting to experience
Spiral Jetty with fellow art lovers, to using the jetty as a backdrop
for the exchange of marriage vows: ISC members Sarah Ohman and Mark Stevenson
got married at the jetty as part of the Friday field trip.
The two separate
trips to see Spiral Jetty reinforced the claim that experiences
of the sculpture can be vastly different form trip to trip. "I was
fortunate enough to attend both trips out to the jetty, and it was amazing
how much the landscape changed within a 24-hour period," says Mary
Catherine Johnson, ISC Associate Director. "On Friday we were met
with a hot, dry almost sparse landscape, and then by Saturday high winds
had brought the water in closer, along with puffs of salt that drifted
past the jetty like snow."
"Being local
to Salt Lake City means I've had the chance to see the Jetty in
relative solitude four or five times so it was a great treat to just watch
the reactions of dozens of 'first-timers' because it's a very powerful
experience," says Josh Kanter, a Board member for both the ISC and
SLAC, as well as one of the weekend's organizers. "We had a world-class
panel and everyone seemed to enjoy themselves very much. It was a fabulous
weekend of events."
|
|
|
ISC
& SLAC Board member Josh Kanter (far right) with Robert Hobbs
and Jean Crutchfield on the hill in front of the jetty.
|
The ISC and SLAC
extend special thanks to the sponsors of the Spiral Jetty Weekend: and
anonymous donor, Ric Collier, The Cultural Vision Fund, Robert & Karen
Duncan, and the Kanter Family Foundation.
To read a personal
essay by one of the participants, Miki Yoshimoto, see the Forum,
page 8 of the December 2004 issue of Sculpture magazine. The July/August
2004 issue of Sculpture featuresa cover story titled "Spiral
Jetty: The Re-emergence" by Ric Collier and Jim Edwards of
the Salt Lake Art Center.
|