International Sculpture Center
 

BOOKS ON SCULPTURE


FEATURED BOOKS

Landscapes for Art: Contemporary Parks
Edited by Glenn Harper and Twylene Moyer, from University of Washington Press and ISC Press. Available in August, 2008.

"Landscapes for Art: Contemporary Sculpture Parks" surveys a wide range of sculpture parks and gardens that focus on contemporary art—from well-established, museum-type institutions to small-scale, non-collecting, experimental programs.

Non Members $24.95 plus S&H
Members $20.00 plus S&H


A Sculpture Reader: Contemporary Sculpture Since 1980
Edited by Glenn Harper and Twylene Moyer, from University of Washington Press and ISC Press. Available in June, 2006.
A compendium of more than 40 articles that first appeared in Sculpture on contemporary artists from around the world, with an introduction by Karen Wilkin.

Non Members $29.95 plus S&H
Members $24.95 plus S&H



Conversations on Sculpture
Edited by Glenn Harper and Twylene Moyer, from University of Washington Press and ISC Press. Available in Fall, 2007.
This volume, the second book to be published by ISC Press, is a compilation of interviews with contemporary artists published in Sculpture.

Non Members $29.95 plus S&H
Members $24.95 plus S&H


These are recent Books on Sculpture that have crossed our desk. We will be adding to the list periodically, and if you have suggestions for Books on Sculpture, please send an e-mail with your suggestion to editor@sculpture.org. If you search your book through the Amazon search window below, a portion of the sale price will go to benefit the International Sculpture Center. Please show your support by copying the title you are looking for into the Amazon search window and use that link to purchase your book.
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SELECTED BOOKS

Acts of Engagement: Writings on Art, Criticism, and Institutions, 1993-2002 by Michael Brenson. Lanham, MD: Rowman & Littlefield, 2004. 320 pages. $27.95 paper, $75.00 cloth.

Alan Finkel, essay by Arlene Raven. New York: SculptureCenter, 2001. 44 pages, illustrated. <www.sculpture-center.org>.

Alberto Giacometti in Postwar Paris, by Michael Peppiatt. New Haven: Yale University Press, 2002. 176 pages, 130 illustrations. $45.00.

Allan Houser: An American Master (Chiricahua Apache, 1914-1994)
by W. Jackson Rushing III. New York: Abrams, 2004. 256 pages, 265 illustrations, 215 in color. $60.00.

Andy Warhol, edited by Annette Michelson. Cambridge and London: MIT Press, 2002. 133 pages, 33 illustrations. $14.95.

Anthony Caro: A Life in Sculpture by Julius Bryant. London and New York: Merrell Publishers, 2004. 96 pages, 50 illustrations, 30 in color. $24.95.

The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Antioch Collection, edited by Lawrence Becker and Christine Kondoleon. Princeton: Princeton University Press, 2005. 360 pages, 188 color plates, 237 quadtone plates. $75.00.

The Art of Rachel Whiteread, edited by Chris Townsend. London: Thames & Hudson, 2004. 224 pages, 54 illustrations, 50 in color. $24.95.

Balance: Art and Nature by John K. Grande. Montreal/New York/London: Black Rose Books, 2004. 266 pages, illustrated. $24.99.

Barnett Newman, edited by Ann Temkin, essays by Ann Temkin and Richard Shiff, contributions by Suzanne Penn and Melissa Ho. New Haven: Yale University Press, 2002. 356 pages, 180 color illustrations, 87 b/w. $65.00.

Barry McGee, interview by Germano Celent, essays by Barry McGee. Milan: Fondazione Prada, 2003. Color illustrations.

Bernar Venet, essays by Thomas McEvilley and Bernar Venet. Lyon/Bern: Artha/Benteli, 2002. 165 pages, illustrated. $45.00.

Bernar Venet: Art and Mathematics: In Search of the Sublime by Donald Kuspit. L'yeuse, 2002. 184 pages, illustrated.

Bertil Vallien: Somna/Vakna
by Matthew Kangas. Seattle and London: University of Washington Press, 2002. 48 pages, 60 color illustrations. $20.00.

Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, edited by Timothy O. Benson and Éva Forgács. Cambridge and London: MIT Press, 2002. 736 pages, 32 illustrations. $45.00.

Bruce Nauman, edited by Robert C. Morgan. Baltimore: Johns Hopkins University Press, 2002. 430 pages, 20 b&w illustrations. $22.50

Calder: Gravity and Grace, edited by Carmen Giménez and Alexander S. C. Rower, essay by Francisco Calvo Serraller. New York/London: Phaidon Press, 2004. 260 pages, illustrated.

Camille Claudel: A Life by Odile Ayral-Clause. New York: Abrams, June 2002. 280 pages, 69 illustrations. $29.95.

Central European Avant-Gardes: Exchange and Transformation, 1910-1930, edited by Timothy O. Benson, foreword by Péter Nádas. Cambridge and Longon: MIT Press, 2002. 447 pages, 480 illustrations. $59.95.

Christo and Jeanne-Claude in the Vogel Collection by Molly Donovan. New York and Washington, DC: Abrams and the National Gallery of Art, 2002. 144 pages, illustrated. $35.00.

Christopher Wilmarth: Light and Gravity, by Steven Henry Madoff, essays by Nancy Milford and Edward Saywell. New Jersey: Princeton University Press, 2004. 184 pages, 121 color illustrations, 30 halftones. $49.95.

Chronophobia: On Time in the Art of the 1960s by Pamela M. Lee. Cambridge and London: MIT Press, 2004. 368 pages, 67 illustrations. $34.95.

Clayton James by Vicki Halper. Seattle and London: University of Washington Press, and La Conner, Washington: Museum of Northwest Art, 2002. 80 pages, 50 illustrations, 41 in color. $25.00.

Conceptual Art and the Politics of Publicity by Alexander Alberro. Cambridge and London: MIT Press, 2003. 236 pages, 52 illustrations. $35.00.

Constance DeJong: Metal, by Arden Reed, interview by Gus Blaisdell. Albuquerque: University of New Mexico Press, 2003. 193 pages, 141 color photographs. $45.00.

Constantin Brancusi: The Essence of Things
, edited by Carmen Giménez and Matthew Gale, essays by Sanda Miller Alexandra Parigoris and Jon Wood. London: Tate, and New York: Abrams, 2004. 144 pages, 90 color illustrations. $40.00.

Continuity and Change: Twentieth Century Sculpture in the Ashmolean Museum, by Katharine Eustace, forward by Christopher Brown. Oxford: University of Oxford, or Seattle: University of Washington Press, or Waanders Publishers, 2001. 108 pages, 146 illustrations, 54 in color. $35.00.

David Smith: Two into Three Dimensions by Karen Wilkin. Miami Beach: Grassfield Press, 2000. 100 pages, illustrated. $29.95.

Dialogues in Public Art by Tom Finkelpearl. Cambridge and London: MIT Press, 2002 (paper). 453 pages, 92 illustrations. $24.95.

Douglas Gordon, essays by Russell Ferguson, et. al. Cambridge: MIT Press, 2001. 184 pages, illustrated. $40.00.

Duane Hanson: Virtual Reality, essays by Christine Giles, Elizabeth Hayt, and Katherine Plake Hough. Seattle: University of Washington Press, 2002. 80 pages, 48 illustrations. $30.00.

The Encyclopedia of Sculpting Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques by John Plowman. New York: Sterling Publishing, 2003. 176 pages, all color illustrated. $14.95.

Eva Hesse, edited by Mignon Nixon, essays by Briony Fer, Rosalind Krauss, Mignon Nixon, Anne M. Wagner, Cindy Nemser, Mel Bochner and Joan Simon. Cambridge and London: MIT Press, 2002. 222 pages, 60 illustrations. $15.95.

Fine Art Metal Casting: An Illustrated Guide to Mould Making and Lost Wax Processes by Richard Rome and Hamish Young. London: Robert Hale, 2003. 336 pages, 1,062 color illustrations. $225.00.

Fire on the Earth: Anselm Kiefer and the Postmodern World by John C. Gilmour. Philadelphia: Temple University Press, 1990. 214 pages, illustrated.

Gandhara: La Mémoire de l'Afghanistan by Bérenice Geoffroy-Schneiter. Paris: Assouline Publishing, 2001. 80 pages, 60 images. $18.95.

George Kennethson: A Modernist Rediscovered
, by Simon Hucker, foreword by Michael Harrison. London/New York: Merrell, 2004. 96 pages, 60 illustrations, 55 in color. $39.95.

George Rickey: The Early Works by Maxwell Davidson III. Atglen, Pennsylvania: Schiffer Publishing, 2004. 288 pages, illustrated. $79.95.

Gravity & Grace by Gil McElroy. Nova Scotia: Gaspereau Press, 2001. 148 pages, illustrated. $21.95.

Guy Debord and the Situationist International edited by Tom McDonough. Cambridge and London: MIT Press, 2002. 514 pages, 113 illustrations. $44.95.

Hans Haacke, essays by Walter Grasskamp, Molly Nesbit, Jon Bird, Hans Haacke. New York/London: Phaidon Press, 2004. 160 pages, 120 color illustrations, 30 b&w illustrations. $39.95.

Henry Moore: Sculpting the 20th Century
, edited by Dorothy Kosinski. New Haven: Yale University Press, 2001. 324 pages, illustrated. $50.00.

Heritage of Power: Ancient Sculpture from West Mexico: The Andrall E. Pearson Family Collection, by Kristi Butterwick. New York: The Metropolitan Museum of Art, and New Haven and London: Yale University Press, 2004. 96 pages, 74 illustrations, 62 in color. $19.95.

Imogen Stuart Sculptor by Brian Fallon. Dublin: Four Courts Press, 2002. 160 pages, illustrated. $39.95.

The Inner Light: Sculpture by Stanislav Libensky and Jaroslava Brychtova by Robert Kehlmann. Seattle and London: University of Washington Press, and Tacoma: Museum of Glass, 2002. 120 pages, 55 illustrations, 31 in color. $35.00.

Installation Art in the New Millennium, edited by Nicolas de Oliveira, Nicola Oxley, and Michael Perry, text by Nicolas de Oliveira, forward by Jonathan Crary. London: Thames & Hudson, 2004. 208 pages, 317 illustrations, 268 in color. $29.95.

Installations, Mattress Factory, 1990-1999, essays by Buzz Spector, et. al. 188 pages, 240 color illustrations. $30.00.

Intersections: The Life and Art of Jan Zach
by Roger Hull. Seattle and London: University of Washington Press, 2003. 96 pages, 90 illustrations, 23 in color. $24.95.

The Interventionists: Users' Manual for the Creative Disruption of Everyday Life, edited by Nato Thompson and Gregory Sholette. Cambridge: MIT Press, and North Adams: MASS MoCA, 2004. 154 pages, 100 illustrations. $25.00.

Isamu Noguchi: Master Sculptor
, by Valerie J. Fletcher, contributions by Dana Miller and Bonnie Rychlak. London: Scala, and Washington, DC: Smithsonian, and New York: Whitney, 2004. 236 pages, illustrated.

János Mattis Teutsch and the Hungarian Avant-Garde
, texts by Éva Forgács and Éva Bajkay. Budapest and Miskolc: Mission Art Galéria, and West Hollywood: Louis Stern Fine Arts, 2002. 128 pages, illustrated.

Jennifer Pastor: The Perfect Ride, by Jan Tumlir, introduction by Debra Singer. New York: Abrams and the Whitney Museum of American Art, 2004. 52 pages, 35 illustrations. $18.95.

Jimmie Durham, essays by Stafano Boeri, Anna Daneri, Giacinto Di Pietrantonio, Jimmie Durham, Mario Fortunato, Cesare Pietroiusti, Roberto Pinto. Milan: Charta, 2004. 158 pages, illustrated.

John Chamberlain, edited by Aletha Zapf and Andrea Siegel, text by Allan Stone. New York: Allan Stone Gallery, 2003. 39 pages, illustrated.

Joseph McDonnell, by Donald Kuspit, photographs by David Finn and Rebecca Binder, introduction by Andre Emmerich. Seattle and London: University of Washington Press, and New York: Ruder Finn Press, 2004. 252 pages, 160 duotone and color illustrations. $65.00.

Katsuyuki Shinohara: Kuma's Iron Circus, edited by Syoko Abe, text by Katsuyuki Shinohara. Japan: Scholar, 1995. 193 pages, illustrated.

Ken Little: Little Changes, texts by Kathleen Whitney, Dave Hickey, Ken Little, Paula Owen, Patrick Schuchard. San Antonio: Southwest School of Art & Craft: 2003. 65 pages, color illustrations.

Kuma: The Proud Passenger, texts by Dominique Stella and Kuma. Milan: Mudima, 2002. 120 pages, illustrated.

Leave Any Information at the Signal, by Ed Ruscha, edited and introduction by Alexandra Schwartz. Cambridge: MIT Press, 2002. 472 pages, 89 illustrations. $44.95.

The Life of Isamu Noguchi: Journey without Borders, by Masayo Duus, translated by Peter Duus. New Jersey: Princeton University Press, 2004. 432 pages, 36 halftones. $29.95.

Machines of the Mind: Sculpture by Lawrence Fane, forward by Richard Waller, essay by Bill Barrette. Richmond, VA: University of Richmond Museums, 2002. 71 pages, illustrated.

Magdalena Abakanowicz: Working Process enon solo, essays by Magdalena Abakanowicz, Giuliano Gori, Abraham M. Hammacher, Jasia Reichardt, Barbara Rose. Prato, Italy: Gli Ori, 2002. 189 pages, illustrated.

Mary Miss, by Mary Miss, essays by Daniel M. Abramson, Eleanor Heartney, Joseph Giovannini, Sandra Marpillero. New York: Princeton Architectural Press, 2004. 256 pages, 175 duotones, 35 line drawings, 15 color illustrations. $85.00.

Medardo Rosso: Second Impressions, by Harry Cooper and Sharon Hecker, with contributions by Henry Lie and Derek Pullen. New Haven and London: Yale University Press, and Cambridge: Harvard University Art Museums, 2003. 165 pages, 113 color and 6 b/w illustrations.

Metacreation: Art and Artificial Life by Mitchell Whitelaw. Cambridge and London: MIT Press, 2004. 293 pages, 34 illustrations. $32.95.

Michelangelo's Florence Pietà, by Jack Wasserman, essays by Franca Trinchieri Camiz, Timothy Verdon, Peter Rockwell. Princeton and Oxford: Princeton University Press, 2003. 271 pages, 69 b&w illustrations, 4 color, 51 duotones.

A Minimal Future? Art As Object 1958-1968
, edited by Ann Goldstein and Lisa Mark. Los Angeles: Museum of Contemporary Art, and Cambridge and London: MIT Press, 2004. 452 pages, 300 illustrations, 200 color. $50.00.

Minor Histories: Statements, Conversations, Proposals, text by Mike Kelley, edited by John C. Welchman. Cambridge/London: MIT Press, 2004. 431 pages, 62 illustrations. $27.95.

Monumental Queensland: Signposts on a Cultural Landscape, by Lisanne Gibson and Joanna Besley. St. Lucia, Australia: University of Queensland Press, 2004. 268 pages, illustrated. $49.95.

Myth and the Creative Process: Michael Ayrton and the Myth of Daedalus by Jacob E. Nyenhuis. Detroit: Wayne State University Press, 2003. 368 pages, 257 b&w illustrations, 53 color illustrations. $45.00.

The New Constructivism of Fletcher Benton, essays by George Neubert, Peter Selz, Gerhard Kolberg, and Phyllis Tuchman. Switzerland: Acatos Publisher, 2001. 330 pages, illustrated. $75.00

Norbert Francis Attard, Four Olympics, edited by Dennis Vella, text by Stanley Borg, introduction by Tereza de Arruda. New York: NY Arts Books and World Art Media, 2004. 146 pages, illustrated.

Olafur Eliasson: Surroundings Surrounded (Essays on Space and Science), edited by Peter Weibel. Cambridge: MIT Press, 2002. 720 pages, 176 illustrations. $34.95.

The Oxford Companion to Western Art edited by Hugh Brigstocke. Oxford and New York: Oxford University Press, 2001. 768 pages, 48 color plates, 46 line drawings. $75.00.

Paul Neagu: Nine Catalytic Stations by Matei Stircea-Craciun. Bucharest: Anastasia, 2003. 235 pages, illustrated.

Plop: Recent Projects of the Public Art Fund, forward by Susan K. Freedman, essays by Tom Eccles, Dan Cameron, Katy Siegel, Jeffrey Kastner, Anne Wehr. London and New York: Merrell Publishers, 2004. 256 pages, 500 illustrations. $49.95.

Points of Departure: Art on the Line
, essays by Julie Courtney et. al. Philadelphia: Mainline Art Center, 2001. 80 pages, illustrated.

Prosthetic Gods by Hal Foster. Cambridge and London: MIT Press, 2004. 455 pages, illustrated. $35.00.

Public Sculpture of Greater Manchester
, by Terry Wyke, with Harry Cocks. Birmingham: Liverpool University Press, 2005. 394 pages, illustrated. $45.00.

Public Sculpture of Warwickshire, Coventry & Solihull by George T. Noszlopy. Birmingham: Liverpool University Press, 2003. 301 pages, illustrated. $79.95.

Pure Immanence: Essays on A Life, by Gilles Deleuze, introduction by John Rajchman, Translation by Anne Boyman. New York: Zone Books, 2001. 104 pages. $24.00.

Rhythms of Life: The Art of Andrew Rogers
, by Ken Scarlett, additional text by I gor Aronov, Edmund Capon, Kathryn Walt Hall, Peter Marboe, Edmund P. Pillsbury, and Idit Porat. Australia: MacMillan, 2002. 288 pages, color illustrations.

Robert Rauschenberg, edited by Branden W. Joseph, essays by Leo Steinberg, Rosalind Krauss, Doublas Crimp, Helen Molesworth, Branden W. Joseph. Cambridge and London: MIT Press. 163 pages, 54 illustrations. $14.95.

Rodin: A Magnificent Obsession, essays by Antoinette le Normand-Romain et. al. London: Merrell Publishers, 2001. 192 pages, 100 color illustrations. $50.00.

Roman Portraits, by Ludwig Goldscheider, photography by Ilse Schneider-Lengyel. New York and London: Phaidon Press, 2004. 140 pages, 136 duotone illustrations. $19.95.

Sculpture: A Journey to the Circumference of the Earth
by Robin Peck. Fredericton, Canada: Broken Jaw Press, 2004. 124 pages. $16.00.

The Sensuous and the Sacred: Chola Bronzes from South India, by Vidya Dehejia, essays by Richard H. Davis, R. Nagaswamy, Karen Pechilis Prentiss. Seattle and London: University of Washington Press, and New York: American Federation of Arts, 2002. 255 pages, color illustrations.

600 Moons: Fifty Years of Philip McCracken's Art, by Deloris Tarzan Ament, forward by Theodore F. Wolff. La Conner, Washington: Museum of Northwest Art, and Seattle and London: University of Washington Press, 2004. 160 pages, 149 illustrations, 106 in color. $40.00.

Sorel Etrog, essay by Pierre Restany. Munich: Prestel Verlag, 2001. 168 pages, illustrated. $65.00.

Surrealism: Desire Unbound, edited by Jennifer Mundy. Princeton: Princeton University Press, 2001. 352 pages, 300 color illustrations. $65.00.

Tom Friedman, essays by Bruce Hainley, Dennis Cooper, Adrian Searle. New York and London: Phaidon Press, 2001. 159 pages, illustrated. $29.95.

Two-Way Mirror Power: Selected Writing by Dan Graham on His Art, edited by Alexander Alberro, introduction by Jeff Wall. Cambridge: MIT Press, 1999. 198 pages, 48 illustrations. $25:00 paperback, $55.00 cloth.

Univers Revolved: A Three Dimensional Alphabet, by Ji Lee. New York: Abrams, 2004. 64 pages, 6 page insert, 64 duotone illustrations. $19.95.

White Like Me: Brett Murray
, text by Ivor Powell. Cape Town: Bell-Roberts Publishing, 2002. 48 pages, illustrated.

Woodland Reflections: The Art of Truman Lowe, by Jo Ortel, foreword by Lucy R. Lippard. Madison: University of Wisconsin Press, 2003. 164 pages, illustrated.

The World of Bertoia, by Nancy N. Schiffer and Val O. Bertoia. Atglen, Pennsylvania: Schiffer Publishing, 2003. 270 pages, color illustrated. $89.95.

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