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The
How to Create a School Sculpture Garden Manual
6. CREATING
THE PROGRAM
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Students
will revisit the shrubs in the sculpture garden space to make sure they
are healthy and will fit into the final plan.
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Our project was suggested
by Sculpture students in response to their visit to Grounds For Sculpture in
Hamilton, New Jersey. They had just finished assisting in the development of
a contemporary sculpture curriculum, and were enthusiastic about what they had
learned. A wall of windows outside the door of the Art studio exposed an unused
courtyard beyond. The students decided they wanted to use this space to build
a sculpture garden. While our primary need was to create a space appropriate
to exhibit sculpture, simultaneously, our principal was looking to create a
space where individual students could gather in a contemplative environment
and that could also function as an outdoor classroom.
The most difficult task
in this type of project is to create the program or plan. "Once a clear
definition of the potential use of the space has been determined, then the program
practically writes itself," indicated our Consultant Landscape Architect,
Herb Sensi. The site design must always be based on need, as there is little
point in creating a space that isn't workable. Formally establishing the need
is time consuming but well worth the effort.
The program is based on
a combination of factors, and can be addressed by answering four fundamental
questions concerning the physical infrastructure:
- What
presently occupies the space?
- How
will we use the space?
- What
do we want to have in the space?
- What
do we need to have in the space?
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How
do we deal with the air conditioners.
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1. What presently occupies
the space?
Is the space totally empty or will it require demolition? Do you want to incorporate
existing materials or do you want a totally clean palette? Is the space filled
with rubble and debris, grass, rocks, existing walls? Removal can be more expensive
than renovation in some cases.
2. How will we use the
space?
You can obtain this information by interviewing a sample of the constituent
populations, and/or conducting a department or school-wide survey. A department
survey would ask curriculum disciplines within the school to identify how the
garden would be of use to them. A school-wide survey could also be conducted
so that the ideas of both staff and students are incorporated.
Consistent with our intention
to involve as many of the high school disciplines as possible, the Nottingham
High School department chairs were asked the following questions. You may find
these questions helpful in beginning your inquiry.
- Under what circumstances
will your department actively utilize the sculpture garden?
- How might your department
contribute to the development and then the ongoing operation and maintenance
of the sculpture garden? Please include both curricular and co-curricular
opportunities.
- List any ways in which
you feel that the community beyond the high school could make use of the space.
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How
do we hide this.
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Several interesting ideas
came from discussions, generated by these questions, with department chairs
and other staff members, and some are highlighted here:
- Physical Education students
could use a measured pathway as a walking trail.
- The English Language
Arts classes could use the garden as an inspiration for creative writing and
reading activities. A small Shakespearean, Elizabethan or Victorian Garden
could be planted. We used the creative writing idea and are considering the
construction of a sensory garden.
- The patio area could
be used for musical, dance, and small theatrical performances, as well as
an outdoor classroom area.
- Ponds would make a practical
outdoor laboratory for biology classes. Ponds require maintenance. We were
going to have a fountain rather than a pond until our Marine Biology teacher
volunteered to be responsible for the pond.
- One of our Visual Arts
teachers suggested an area where students could rearrange three dimensional
shapes into different configurations to create interactive sculptures.
- Consider when the garden
will receive the most use, and plan accordingly. While our garden will be
available to the public year round, the students are primarily in residence
autumn, winter, and spring.
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Plenty
of space for a raised garden.
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3. What do we need to
have in the space?
Here potential users can indicate specific needs. This area can also respond
to modifications in the existing space to meet building code and Americans with
Disabilities Act (ADA) requirements.
4. What do we want to
have in the space?
Develop your "Wish List" here. While you may not be able to incorporate
every item now, you can develop a plan to be completed in phases. Build what
you can now, and use a plan that allows you to incorporate items on your "Wish
List" as funds and/or time become available.
Understand that the program
is a living document and can change. While changes can increase costs, some
are worth the price. For example, our math students became involved in working
out some of our calculations. As a result, we were inspired to consider a new
design element: collecting concrete geometric forms for an arrangement in the
garden.
Finally two questions
remain that you must ask yourself consistently through the entire process.
- Do our choices coincide
with our finances?
- Can we create a program
that can be accomplished in stages if finances do not allow us to complete
the project at one time?
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Will
it be garden or patio.
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Our needs assessment
identified the following requirements:
- A flexible space
that can accommodate 24 to 30 students at a time, in a group or individual
setting.
- Seating and writing
surfaces that are movable to accommodate both individual students and class
instruction.
- Space for outdoor
gatherings and receptions.
- A pathway that will
allow students to navigate the length of the courtyard.
- Focal points for
the display of sculpture that are flexible enough to accommodate the needs
of temporary exhibitions, as well as the possibility of permanent installations.
- An environment that
meets the requirements of the Elements of Design and Principles of Composition
and creates a focal point for the school.
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of Contents
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