April 2005		Vol.19 No.3
A publication of the International Sculpture Center

Complete text in print version available at fine newsstands and through subscription.

On the Cover

Terry Adkins, Bright Churchyard, 1999. Tin, porcelain, glass, and rattles, 23 x 71 x 69 in. From Powre Above Powres. Photograph by Peter Bellamy.

Features

(Still) Getting Inside Getting Outside: A Conversation with Terry Adkins
Adkins transforms reclaimed objects and histories into resonant visual experiences.
by Judith Page

Global Grooving at the Guggenheim: Nam June Paik
“The Worlds of Nam June Paik” presents a mammoth spectacle of image-light.
by Robert C. Morgan

Globalization’s Undertow: An Interview with Paolo Colombo in Istanbul
A biennial exhibition gave hope to a community and a voice to individual artists.
by Carolee Thea

Standing on the Shoulders of the Past: Recent Landmark Sculptures in the United Kingdom
Monumental sculpture exemplifies Northeast England’s history and redevelopment.
by Scott G. Burnham

Making Public Art Work
Citizen involvement in public art initiatives is a common goal and a rare reality.
by Cynthia Abramson Nikitin

Departments

News
Focus: Giuseppe Spagnulo by Laura Tansini
Site: Homomonument, Amsterdam by Robert Preece
Focus: Jerry Pethick by Matthew Kangas
Commissions

Reviews

Washington, DC: ”Regarding Beauty”
Long Beach: Seven Mexican Sculptors
Santa Monica: Linda Ekstrom, Beverly Semmes
Bridgeport, CT: June Ahrens
Ridgefield, CT: Ann Hamilton
Lincoln, MA: Denise Marika
Santa Fe: Maria Porges
New York: Barbara Broughel
New York: Arthur Gonzalez
Philadelphia: Nancy Davidson
West Rutland, VT: “Sculptfest ’99”
Bellingham, WA: Lanny Bergner
Montreal: “Head Over Heels: A Work of Impertinence”
Scotland: David Mach
Venice: “OPEN ’999”
Turin, Italy: “Christmas Lights”
Singapore: Zadok Ben-David

Sculpture Magazine Archives
To advertise in Sculpture magazine, call 718.812.8826 or e-mail advertising@sculpture.org.
To contact the editor please email editor@sculpture.org