Jan/Feb 2000		Vol. 19 No.1
A publication of the International Sculpture Center

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On the Cover

Alison Wilding, Ambit, 1996–1999. 24 stainless steel cylinders and lights, view of public artwork in the River Wear, Sunderland, England. Photograph by Mark Pinder.

Features

Making Visible: On Alison Wilding
The mute radiance of Ambit, Alison Wilding’s first large public sculpture, distills and clarifies the mystery and drama of her work as a whole.
by Ian Tromp

Interior Passages: a Conversation with Jon Isherwood
Jon Isherwood has been working with stone since the early 1990s, developing a personalized expression with contemporary relevance.
by Sarah Tanguy

Constructivism: The Penetration of Nature’s Structure
One 20th-century art movement stands out as an example of high-minded artistic ambition and distinctive method and style: Constructivism.
by Mark Daniel Cohen

Biomorphs: Organic Abstraction and the Mechanics of Life
The first of a series on the relationship of the life sciences to innovations in sculpture examines the influence of morphology, the science of living form, on abstraction.
by Stephen Luecking

Departments

News
Focus: Dennis Leon by Donna Schumacher
Focus: Bill Lundberg by Nancy Bless
Focus: Steve DeGroodt by Kathleen Whitney
Commissions

Reviews

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