International Sculpture Center
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Sculpture cover

Jan/Feb 2000 Vol. 19 No.1
A publication of the International Sculpture Center

 

Complete text in print version available at fine newsstands and through subscription.

On the Cover


Alison Wilding, Ambit, 1996–1999. 24 stainless steel cylinders and lights, view of public artwork in the River Wear, Sunderland, England. Photograph by Mark Pinder.

Features


Making Visible: On Alison Wilding
The mute radiance of Ambit, Alison Wilding’s first large public sculpture, distills and clarifies the mystery and drama of her work as a whole.
by Ian Tromp

Interior Passages: a Conversation with Jon Isherwood
Jon Isherwood has been working with stone since the early 1990s, developing a personalized expression with contemporary relevance.
by Sarah Tanguy

Constructivism: The Penetration of Nature’s Structure
One 20th-century art movement stands out as an example of high-minded artistic ambition and distinctive method and style: Constructivism.
by Mark Daniel Cohen

Biomorphs: Organic Abstraction and the Mechanics of Life
The first of a series on the relationship of the life sciences to innovations in sculpture examines the influence of morphology, the science of living form, on abstraction.
by Stephen Luecking

Departments


News
Focus: Dennis Leon by Donna Schumacher
Focus: Bill Lundberg by Nancy Bless
Focus: Steve DeGroodt by Kathleen Whitney
Commissions

Reviews



Kansas City: Kathryn Spance and Kendall Buster
Los Angeles: Martin Kersels
Los Angeles: Cecilia Miguez
Boise: Brad Rude
New York: Catherine Lee
New York: Laura Anderson Barbata
Santa Fe: SITE Santa Fe “Looking for a Place”
Millersville, PA: Thomas McGovern
Providence: Barnaby Evans
London: Jane and Louise Wilson
Paris: “Les Champs de la Sculpture 2000”
Paris: Nunzio
Dispatch: Istanbul Biennial
Dispatch: Participatory Works: Viewers as Co-Creators
Dispatch: The Third Changchun International Sculpture Symposium

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