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in print version available at fine newsstands and through subscription.
On the Cover Tadaaki Kuwayama, view of installation at the Kitakyushu Museum, Japan (detail), 1999. Anodized aluminum with yellow, blue, and aluminum color, each element 8 x 24 x 2.5 in. Features Tadaaki Kuwayama: The Reversal of Form as “Pure Space” Kuwayama’s forms not so much intercede within a given space as create a new space. by Robert C. Morgan From Form to Formlessness: A Conversation with Shirazeh Houshiary Houshiary’s work has evolved from abstract sculpture to the dematerialization of form. by Anne Barclay Morgan Intensity of Form and Surface: An Interview with Lynda Benglis Benglis uses a range of materials in iconographic impressions of mass and form. by Erica-Lynn Huberty Aleksey Kostroma: Organic Ideology Kostroma prefers minimal shapes and fragile materials: eggshells, feathers, balloons. by Sarah Tanguy Public Art and the Sydney Olympics: Seeing the City in its Most Enlivened State For the 2000 Olympics in Sydney, art has been commissioned for a number of sites. by Tempe McGowan Departments Forum: Naoshima
Island by Kazuko Nakane Reviews Royal Oak, MI:
Carrie Seid Sculpture Magazine Archives |
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