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| May
2002 |
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Vol.21
No.4 |
| A
publication of the International Sculpture Center |
Complete text
in print version available at fine newsstands and through subscription.
Features
Stephen
De Staeblers Figure Columns
His new figures achieve universality in their archaic appearance and their
androgyny.
by Peter Selz
Juan Muñoz:
Negotiating Belief
These works center on difference, the distance this condition creates,
and longing.
by Sarah Tanguy
Armed and Disarming:
The Haute Bricolage of Tom Sachs
Sachs uses controversy, fashion, consumerism, and duct tape in his edgy
sculptures.
by L.P. Streitfeld
The
Game as a Narrative of the Self: The World of Alex Pinna
Pinnas works break away from the Minimalist, neo-conceptual trends
typical of Milan.
by Andrea Bellini
The
Doors of Expression: The Work of Art in the Age of Quantum Processing
Power
Sculpture has moved from distanced experiences to interactive, immersive
scenarios.
by Pablo Baler (with Streaming
Video Interview of Stelarc)
Departments
Forum:
Advance Word on Documenta11
by Axel Lapp
News
Letters
to the Editor
Itinerary
Dialogue:
Fabrizio Plessi by Laura Tansini
Focus:
Peter Reginato by Margaret Sheffield
Focus:
Lukas Rittstein by Ivona Raimanová
Commissions
Postscript: ISC
News
Reviews
New York: James
Croak
Atlanta: Jim Waters
Chicago: Conrad Bakker
Baltimore: Brent Crothers
Gloucester, MA: Ken Hruby
Kansas City, MO: Marcie Miller Gross
New York: Arman
New York: Robert Fischer
New York: Maren Hassinger
Purchase, NY: 2001 Biennial Exhibition of Public Art
Akron, OH: William Morris
Pittsburgh: Jim Campbell
Beeville, TX: Contemporary Outdoor Sculpture in Meditation
Park
Barcelona: Africas
Naoshima,
Japan: The Standard
Dispatch: World Ceramic Exposition
Sculpture Magazine Archives
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To contact the editor please email editor@sculpture.org
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