May 2003		Vol.22 No.4
A publication of the International Sculpture Center

Complete text in print version available at fine newsstands and through subscription.

From the Editor

Features

American History Is Not What it Appears to Be: A Conversation with Liza Lou
Liza Lou probes the way our culture conceals its dullness and dangers in packaging.
by Jan Garden Castro

Shifts in Meaning: A Conversation with Fred Wilson
Wilson’s installations pose questions about the motivations of cultural institutions.
by Jane Ingram Allen

Ann Hamilton’s lignum in Context(s)
At Wanås, the threads of Hamilton’s earlier works come together in a single tapestry.
by Judith Hoos Fox

Jim Toia: Metamorphosis
Toia’s works are marked by a desire to understand nature’s symbiotic relationships.
by Carol Rosen

The Intimate and the Communal: Costantino Nivola
Nivola wove together contradictory private and public trends in his mature sculpture.
by Fred Licht

Forum: Art, Environment, and Politics by Terri Cohn
News
Itinerary
Dialogue: Igor Mitoraj by Laura Tansini
Site: Toronto’s Sheppard Subway Line by John Grande
Focus: Doreen Southwood by Paul Edmunds
Commissions
Postscript: ISC News

New York: Daniel Rothbart
Chicago: Juan Logan
Chicago: “My Reality”
Amherst: Nora Valdez
Boston: “Spirits in the Trees”
New York: Cornelia Kubler Kavanagh
Philadelphia: Leonardo Drew
Philadelphia: “LandEscapes”
Paris: Foire Internationale d’Art Contemporain
Vienna: Richard Jackson
Venice: “next”
Venice: “Thinking Big”
Dispatch: Recent Installations in China: Jian-Jun Zhang and Barbara Edelstein

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