 |
| September
2004 |
 |
Vol.
23 No. 7 |
| A
publication of the International Sculpture Center |
Complete text
in print version available at fine newsstands and through subscription.
Web
Specials
Shore/lines
by Gil McElroy
Texas
Uprising
by D. Dominick Lombardi
Liu
Jianhua
by Jonathan Goodman
Mercurial
by Joel Simpson
Fantastic
by Roger Boyce
On
the Cover
Michael Rees,
Putto8 2.2.2.2, 2003.
Fiberglass with Emron automotive paint, 78 x 62 x 72 in.
From the Chairman
There is much news
to report this month. ...[ more...
]
From
the Editor
Now, as always, some
sculptors are at pains to polish away all traces of their hands or tools,
and others openly demonstrate them. ...[ more...
]
Features
Ars
Ex Machina: Digital Sculpture
by William V. Ganis
A Diagram of Forces:
Michael Rees
by George Fifield
Shaping Sensation:
A Conversation with Jon Isherwood
by Eric Gelber
The Manifestation
of Awareness: Buddhism and Contemporary Sculpture
by Anne Barclay Morgan
Uncontrollable
Curiosity: A Conversation with Gino Marotta
by Andrea Bellini
Milestones
Departments
Forum:
Sculptors Groups by
Leslie Kaufman
News
Itinerary
Focus: Sheila Pepe by Dinah Ryan
Site: The Würth Collection by Axel Lapp
Focus: Claudette Schreuders by Paul Edmunds
Commissions
Postscript: ISC News
Reviews
Tokyo: Yayoi
Kusama
Washington, DC: Sarah Stout
Beacon, New York: Creighton Michael
Brooklyn: David Opdyke
Hudson, New York: Peter Barton
New York: Thomas Schütte
New York: Richard Serra
New York: Christopher Wilmarth
Lancaster, Pennsylvania: Brant Schuller
Pittsburgh: Gregory Barsamian
Philadelphia: Fritz Dietel
Seattle: John Grade
Domaine Saint-Bernard, Canada: Nils-Udo
Sherbrooke, Canada: Ulysse Comtois
Sculpture
Magazine Archives
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