International Sculpture Center

   


December 2013
Vol. 32 No 10

A publication of the
International Sculpture Center
*Read the full article online!
Material Performance: A Conversation with Phoebe Cummings
by Robert Preece
Phoebe Cummings uses unfired clay to make poetic and performative sculptures and installations that emphasize material, fragility, time, creation, and decay. Working across art, design, and ceramics, she has had a number of residencies in the United Kingdom, the United States, and Greenland, including three months as a Kohler Arts/Industry Resident (2008) and six months as the Ceramics Artist-in-Residence at the Victoria and Albert Museum (2010). She was also awarded a ceramics fellowship at London’s Camden Arts Centre (2012–13). Cummings’s work has been featured in several recent group exhibitions, including “60|40 Starting Point Series” at Siobhan Davies Studios, London; “Formed Thoughts” at Jerwood Space, London; and “Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design” at the Museum of Arts and Design, New York...see the entire article in the print version of December's Sculpture magazine.

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Border, 2011. Raw clay, cement, wood, and chicken wire, approx. 1 x 7 meters. View of work at Newlyn Art Gallery, Cornwall, England.


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