in an Age of
Diminishing Resources: A Conversation with Cliff Garten
by Lisa Paul Streitfeld
To enter Cliff Gartenís Venice studio is to encounter a visual dialectic of public and private that speaks to our times. On one wall is Being and Home, an impressive suite of 10 independent sculptures depicting living creatures, all meticulously rendered in different materials; on the other wall are images of the artistís large-scale, collaborative public projects, designed with his three-person team.
Being and Home is the first figurative work that Garten has completed in 15 years of public art. The title identifies a quest to manifest a philosophy of sculpture in an age of diminishing resources. However personal the process, the installation draws the observer into more universal concerns, speaking to the destruction of nature, even as it recalls the ancient practice of sacred geometry as a means of instilling manmade forms with the harmonic vibrations of nature. Though Gartenís public and private works appear widely divergent, they are corollaries, exploring similar ideas and concerns. ...see the entire article in the print version of May's Sculpture magazine.
Black Spiral Dream, 2011. Cast bronze, earth, stones, and fescue, 19.17 x 3 x 5.92 ft.