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Sculpture April 1998 Vol.17 No. 4
Contents/Complete text in print version available at fine newsstands and through subscription. Features Memory, Monuments, Mystery, and Iron Beverly Pepper discusses her retrospective in Florence, the evolution of her work, her working process, and her views on contemporary art. by Anne Barclay Morgan Sculpture's Phantoms in the Public Sphere The history of artworks placed in public spaces demonstrates that public sculpture is frequently enmeshed in conflicts that are subsequently obscured or forgotten. by Maureen Sherlock The Shape of Art at the End of the Century Postmodernism has continued to expand the field of sculpture over the past two decades, demanding that we seek new ways of mapping contemporary art. by Jan Avgikos Departments News Site: Larry Sultan and People in Real Life by Donna Graves Focus: Mary Ann Unger by Judith Page Focus: Greely Myatt by Susan W. Knowles Commissions Itinerary Dimensions: Mel Edwards Postscript Maquette Stone Sculpture Symposia by Neal Barab Reviews New York: Jene Highstein Los Angeles: Larry Bell San Francisco: Walter Robinson San Francisco: Andrea Sunder-Plassman and Sigi Torinas Washington, D.C.: Emilie Benes Brzezinski Washington, D.C.: Wendy Ross Grand Rapids, MI: Margery Amdur Rochester, MI: Joseph Wesner Royal Oak, MI: Mary Douglas Las Vegas: Essie Pinsker New York: "Six Interpretations in Clay: Handmade in Taiwan" New York: Suzanne Harris Queensland, Australia: Chris Booth Prague: "Angel, Angel" Rome: Hidetoschi Nagasawa
Sculpture Magazine Archives |
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