|
|||||||||||||||||||||
|
Sculpture January1998 Vol.17 No.1
Contents/Complete text in print version available at fine newsstands and through subscription. Features New York Story: In Public Art, Artists and Audiences Transcend Geography The history of collaboration in public art, including its processes and participating assemblies, is still largely invisible after more than 25 years of sustained activity. by Arlene Raven The Architecture of Light and Space: An Interview with Stephen Antonakos A pioneer in the sculptural use of light, Stephen Antonakos discusses his use of neon and his recent architectural constructions, including a chapel for the Venice Biennale. by Zoe Kosmidou Texture, Grace, and Drama: An Interview with Mary Lucier Mary Lucier's ground-breaking video installations deal with the relation of the body and the land, tradition and innovation, and sculpture and theater. by Nicholas Drake Departments Focus: Ronald Gonzalez by Sherry Chayat Focus: Tom Bevan by Brian McAvera Dossier: Barcelona by Anne Barclay Morgan Commissions Maquette The Evolution of Sculpture Tools by John de Marchi Reviews Paris: Tadashi Kawamata Los Angeles: Robert Gober Santa Monica: Stefan Lindfors San Francisco: Susan Schwartzberg and Ali Sant San Diego: Jay Johnson Washington, D.C.: "Brazilian Sculpture" Boston: "Enterprise" Brockton, MA: Stephen Whittlesey St. Louis: "Expanding Textile Concepts" Nashville: Michael Aurbach Virginia Beach, VA: Mara Adamitz Scrupe and Jann Rosen-Queralt McLean, VA: "A Permeable Edge" Seattle: Tom Rudd Seattle: James Lee Hansen London: Avtarjeet Dhanjal Dublin: "Ireland and Europe" Montreal: Nicola Hicks Dispatches
Sculpture Magazine Archives |
||||||||||||||||||||
|
|||||||||||||||||||||