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Sculpture July/August 1998 Vol.17 No. 6
Contents/Complete text in print version available at fine newsstands and through subscription. Features At The White House: The First Lady's Sculpture Garden First Lady Hillary Clinton talks about the White House sculpture garden and the series of exhibitions showcasing contemporary sculpture by American artists. by Mary Lynn Kotz The Legacy of Alexander Calder Alexander Calder's bright mobiles and large-scale public work changed the face of sculpture and influenced subsequent generations of sculptors. by Joan Marter Nancy Grossman captures the absurdity and violence of human life in works that embody an aggressive, schizophrenic masquerade. by Robert C. Morgan Catherine Widgery: Lost Sense Catherine Widgery's sculpture eloquently addresses the devastation of the environment and the dichotomy of nature and culture. by John Grande Departments Letters News Site: Robert Irwin's Central Garden by Collette Chattopadhyay Focus: Tova Beck-Friedman by Margaret Sheffield Site: Vendome Memorial by Nick Capasso Focus: Bill Viola by Elaine King Commissions Itinerary Postscript Maquette Paths to Success: Recently Emerged Artists by Anne Barclay Morgan Reviews New York: Robert Grosvenor San Francisco: Gay Outlaw San Francisco: Kimberly Austin Santa Monica: Victor Estrada Denver: "Contemporary Metals USA" Atlanta: Todd Murphy Chicago: Miquel Navarro and Carmen Calvo North Dartmouth, MA: Cecilia Vicuña Baltimore: Daithí O'Glaisaín Detroit: "Changing Spaces/A Touring Program of the Fabric Workshop and Museum in Philadelphia" New York: Willie Cole New York: Sherry Markovitz Kenosha, WI: Susan Falkman Krakow: Brygida Serafin
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