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Sculpture November1998 Vol.17 No. 9
Contents/Complete text in print version available at fine newsstands and through subscription.
Features
Experience, Complicity &
Quality
Aesthetic experience is used to serve
so many competing economic and political interests that we must be as clear
as possible about why we value art.
by Michael Brenson
The Body Vulnerable & Invulnerable:
Contemporary German Sculpture
Contemporary German sculpture over
the past several decades conveys the
primitive sense of the body as raw
spatial and expressive presence.
by Donald Kuspit
Surprise Packages
Both art and tourism are the
offspring of modern industrialism and a separation
of both work and leisure from
the rest of life.
by Lucy Lippard
Re-approaching
Tony Smith
As can be seen in a recent retrospective,
Tony Smith’s sculpture is about
grasping an underlying universal structure.
by Harriet F. Senie
Departments
News
In the Studio: Emilie Benes Brzezinski by Twylene Moyer
Focus: Niki Ketchman by Marty Carlock
Focus: Malcolm Cochran by Christopher A. Yates
Commissions
Maquette
The International Sculpture Center Outstanding Student Achievement in Contemporary Sculpture Awards
Reviews
Kansas City: Ursula von Rydingsvard
Pasadena: Sarah Perry
San Francisco: Fabrications
San Francisco: Heidi Kumao
Middletown, CT: Figuring the Body
Chicago: Thomas Skomski
Boston: Art of the Spirit
Boston: Christopher Wilmarth
New York: Charles Ray
Yonkers, NY: Barbara Segal
Pittsburgh: Hall of American Indians
Virginia Beach: Objectivity
Paris: Dinos and Jake Chapman
Paris: Annette Messager
Kraków: Magdalena Abakanowicz
Dublin: Maud Cotter
Sculpture Magazine Archives
To advertise in Sculpture magazine, call 718.812.8826 or e-mail advertising@sculpture.org.
To contact the editor please email editor@sculpture.org
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