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Sculpture October1998 Vol.17 No. 8 ![]() Contents/Complete text in print version available at fine newsstands and through subscription. Features Upright: The Height and Depth of Gloria Kisch The sculpture of Gloria Kisch is as harmonious in intent and conception as the individual works are diverse in means and materials. by Arlene Raven Robert Irwin: De-objectifications for Philosophic and Actual Bodies Robert Irwin’s precision, attention to minute detail, and philosophical concern are evident in his newest installations. by Carolee Thea Community Re-investment: A Project for Artists? Which aspects of the artist space movement can contribute to a reinvention of alternative spaces rather than a nostalgic replication of these vital institutions? by Joyce Fernandes Changing Alternative Spaces—Looking to the Next Century Alternative arts spaces have made dramatic changes in the ‘90s, adapting in various ways to the new climate in the arts and society. by Jane Ingram Allen Departments Letters News Focus: Robert Maki by Matthew Kangas Focus: Wendy Jacob by Michelle Grabner Focus: Arthur Ganson by Ann Wilson Lloyd Commissions Dimensions: Questions by Eduardo Chillida Maquette Third International Conference of Cast Iron Art by Mary Bates Reviews New York: Gillian Jagger San Diego: Silvia Gruner San Francisco: Bella Feldman San Francisco: Gary Hill San Francisco: Lucy Puls Santa Monica: Lewis DeSoto Framingham, MA: Michael Dowling New York: Patricia Cronin Yonkers, NY: Al Landzberg Raleigh, NC: Louise Bourgeois Seattle: Ed Wicklander London: Per Kirkeby Belfast/Dublin: Connect Darmstadt: Pietro Consagra Melbourne: Peter Kennedy Dispatch: Pierwalk ‘98 Books
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