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Sculpture January/February 1999 Vol.18 No. 1
Contents/Complete text in print version available at fine newsstands and through subscription. Features In the wake of several recent exhibitions, Richard Serra's sculpture is receiving renewed attention from critics and audiences. by Jan Garden Castro A Sculptor's Place: The Studio of Grace Knowlton Grace Knowlton's spheres and boulders become metaphors for the influence of time on both objects and individuals. by Jonathan Goodman Edward Mayer:The Idea of Impermanence The temporary, site-specific installations of Edward Mayer deal with notions of structure, permanence, and form in sculpture. by Corinna Ripps Systems Aesthetics and Cyborg Art:The Legacy of Jack Burnham The 1960s writings of artist and critic Jack Burnham raise issues still vital today for the development of sculpture that is based on science and technology. by Simon Penny Departments News Focus: Teresita Fernández by Anne Barclay Morgan Focus: Alan Rath by Elaine A. King Focus: Carl Zimmerman by Gil McElroy Commissions Reviews Winter Park, FL: Thomas Koole Long Beach, CA: Pia PIzzo Los Angeles: Dove Bradshaw Miami: Janet Cardiff Miami: Marisa Telleria-Diez Lincoln, MA: The DeCordova Annual Exhibition Detroit: Shawn Skabelund St. Louis: Robert Charles Smith, Anna Skibska New York: Rachel Whiteread New York: Giacometti to Judd: Prints by Sculptors Southampton, NY: Barbara Kruger Portland, OR: David French Portland, OR: Lee C. Imonen Philadelphia:Visual Fringe Dallas: David Bates Seattle: Ned Baldwin Toronto: Threshold Dublin, Ireland: Michael Quane Padua, Italy: Giò Pomodoro Dispatch: Berkshires and the Upper Hudson Valley
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