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Sculpture June 1999 Vol.18 No. 5
Contents/Complete text in print version available
at fine newsstands and through subscription.
Ken Unsworth: The Theater of Life
Ken Unsworth’s retrospective at the Art Gallery of New South
Wales demonstrated the artist’s diversity and theatricality, as well as his
ability to reach audiences.
by Ken Scarlett
Christian Boltanski: Traces of the Dead
Christian Boltanski’s haunting, provocative work draws on
memory, history, ambiguity, and the presence of death in everyday life.
by Carol Rosen
Ana Mendieta’s Sphere of Influence
Her trailblazing explorations of both feminist and postcolonial
concerns in art have made Ana Mendieta an important precursor to many contemporary
artists.
by Collette Chattopadhyay
Only the Most Valuable Things:
An Interview with José Bedia
One of the best-known Cuban-American artists of his generation,
José Bedia discusses his working methods, his influences, and cultural traditions.
by Sherry Gaché
Departments
News
Focus: Ernesto Pujol by Jane Harris
Focus: Robert Lobe by Michael Klein
Focus: Daphne Wright by Robert Preece
Commissions
Seattle: Merrill Wagner
Huntington Beach, CA: Barbara Benish
San Francisco: Bryan Hunt
Santa Monica: Stephen Hendee
Santa Monica: Alison Saar
Milford, CT: Darrell Petit
Miami: Miralda
Atlanta: Michael Murrell
New York: Lynda Benglis
New York: Robert Irwin
New York: Judy Pfaff
New York: Richard Rezac
Philadelphia: Robert Roesch
Denton, TX: Whitfield Lovell
Seattle: Patrick Holderfield
Yokohama: Kishio Suga
Dispatch: “Functional Follies: 20 Architectural Objects of Delight”
Sculpture Magazine Archives
To advertise in Sculpture magazine, call 718.812.8826 or e-mail advertising@sculpture.org.
To contact the editor please email editor@sculpture.org
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