My work explores our relationships to landscape and to one another. I am particularly interested in the interactions of untold stories, lesser histories, and mythologies that make up our sense of personal and ecological place. My work often asks: What is the space between us? And: What might it take to cross it? Layering sculpture, language, theatricality, oral tradition, and personal myth, I try to capture the shifting perspective we face as our bodies relate to the spaces we inhabit and those we inhabit them with.
Lisa Johnson
www.doublepurchase.net
Education
2012 Master of Fine Arts, Sculpture (minor: Intermedia)
The University of Iowa, Iowa City, Iowa
2011 Master of Arts, Sculpture (minor: Painting)
The University of Iowa, Iowa City, Iowa
2002 Orthodox Academy of Crete and Center for Peace, Kolympari, Crete
The Crete Project: experimented with artists and performers from Greece, Bosnia, Russia, Germany, and the U.S. to develop an international theatre language. Work focused on crossing communicative boundaries in art and performance, as most members of the group could not speak one another’s languages. Work included performance, visual media, and community engagement.
1997 Bachelor of Arts, Theatre Arts (minor: Studio Art), in honors
Virginia Tech, Blacksburg, Virginia
1997 Bachelor of Arts, English (Creative Writing), magna cum laude
Virginia Tech, Blacksburg, Virginia
(Dual Degree)
Projects
Place-Map-Place
2012-ongoing
Subjective ethnography examining relationships between place, landscape, and personal narrative and the ways our relationship to place are reflective of our relationships to one another. The project includes archival research, interviews, installation objects, and audio broadcasts.
The Eva Luna Project
2010–ongoing
Collaborative arts ensemble of incarcerated women, community partners, and myself (founded, 2010). Work focuses on untold histories and hidden narratives that connect incarcerated and non-incarcerated communities. Develop new performances, audio broadcasts, and installations, compile and edit writings, direct plays. Currently developing an adaptation that links Othello and The Color Purple.
Kotcich
January 2011–June 2011
Prague, Czech Republic
Developed a performance-based installation to examine the interactive relationship between abandoned place and city center. Collaborated with 25 artists (15 countries). The project was led by Rolf Abderhalden Cortes. Interviewed residents, took audio recordings, developed creative ideas for the project, and performed in the installation.
Solo Exhibitions
2012 home.land. Eve Drewelowe Gallery, Iowa City, IA
2012 Prairie, Kendall Gallery Iowa City, IA
2011 What We Make Together, Market Dubuque Gallery, Iowa City, IA
2011 9 Chairs, David Thayer Theatre, Iowa City, IA
2011 Now and Then My Country, Public Space One, Iowa City, IA
2010 Listen and Speak, Eve Drewelowe Gallery, Iowa City, IA
2010 Judged by 12, The Porch Gallery, Iowa City, IA
2010 12:30, (roving installation), Iowa City, IA
2010 Detection of Stowaways, Gallery 1201, Iowa City, IA
2009 Four Trees, North Ridge Trail, Iowa City, IA
2009 Sky Weaving Eight, Gallery 1201, Iowa City, IA
2009 Conversation Pieces, North Ridge Trail, Iowa City, IA
2008 Threads, Gallery 1201, Iowa City, IA
2008 Square Path, Studio Arts, Iowa City, IA
2008 Path, Studio Arts, Iowa City, IA
Group Exhibitions
2011 Mixed Bag, Eve Drewelowe Gallery, Iowa City, IA
2010 The Best Damn Art Show on Earth, Market-Dubuque Gallery, Iowa City, IA
2010 Power Grip, Eve Drewelowe Gallery, Iowa City, IA
2009 Showcasing Graduate Sculpture, Market Dubuque Gallery, Iowa City, IA
2009 Activation 3D, Market Dubuque Gallery, Iowa Coty, IA
2008 Conversation, rough, Studio Arts, Iowa City, IA
2007 Feminism and Medium, 14 Brushes Gallery, Urbana, IL
Academic Appointments
The University of Iowa, Iowa City, IA
2009-2012
Instructor of Record, School of Art and Art History
Elements of Sculpture: 2 courses, 18 undergraduate students (2009-2010)
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Adjunct Faculty, Department of Theatre Arts
Scenic Art for Designers: 1 course, 7 graduate students (2009)
Graduate Research Assistant, The Center for Teaching
Cornell College, Mount Vernon, IA
2009 and 2011
Adjunct Faculty, Department of Theatre Arts
Scenic Art
2 courses, 22 undergraduate students
University of Illinois at Urbana-Champaign, Urbana-Champaign, IL
2007–2008
Visiting Lecturer and Scene Painting Head, Department of Theatre Arts
Introduction to Scenic Design (2008)
1 course, 1 MFA and 6 BFA students
A course of study teaching fundamentals of scenic design for students across disciplines. Instruction included sketching, drawing, and rendering, model making, hand drafting, research and critical response. Emphasis was placed on conceptual development and technical skills.
Scene Painting
1 course, 5 MFA and 7 BFA students (2007)
Graduate Assistantship Supervisor, Paint Shop
2 semesters, 4 MFA students (2007–2008)
Hollins University, Hollins, VA
2006
Adjunct Faculty, Department of Theatre Arts
Scenic Art
Fellowships and Awards
2012 International Sculpture Center Student Award (Honorable Mention)
2012 Fellow, Obermann Institute for Engagement and the Academy
2011 University of Iowa Stanley Award for International Research
2011 Pechu Kucha given in The National Gallery, Veletrzni Palace, Prague, Czech Republic as part of The Prague Quadrennial
2011 Presenter, Prague Quadrennial Student Exhibition, Czech Republic
2011 University of Iowa School of Art and Art History Special Fellowship
2009 University of Iowa School of Art and Art History Graduate Fellow
2007 Suzi Bass Award, Outstanding Scenic Design (Voices Underwater)
Atlanta, GA
Residencies
2013 Iowa Lakeside Laboratory Artist in Residence, Milford, IA
2012 Iowa Lakeside Laboratory Artist in Residence, Milford, IA
2012 Vermont Studio Center
2011 Vermont Studio Center
Skills
Digital audio and video production, Performance development (Boal, Viewpoints, Alignment and Release), Figure modeling, Plaster casting and Mould making, Woodworking, Oxy-acetylene welding, MIG welding, Papermaking (Traditional Islamic, Nepalese, and Japanese Nagashizuki)