International Sculpture Center
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Sculpture cover


November 2003 Vol.22 No. 9
A publication of the International Sculpture Center


Complete text in print version available at fine newsstands and through subscription.

On the Cover

Sarah Sze, Triple Point of Water, 2003.
Mixed media, dimensions variable. View of installation at the Whitney Museum of American Art, New York. Photo: David Allen, courtesy Marianne Boesky Gallery.

From the Chairman

I have been traveling recently and want to share with you some of the exciting experiences that I have had with my favorite avocation—sculpture."[more ...]"

From the Editor

The sculptors featured in this issue of Sculpture, in one way or another, insist on art’s materiality..."[more ...]"


Sarah Sze’s Organized Chaos
Sze’s work comments on the multiplicity of both everyday reality and cyber-reality.
by Marty Carlock

Alain Kirili: Sculpture as Living Dialogue
Kirili’s work forges a dialogue with Julio González, David Smith, and other sculptors.
by Ginger Danto

David Smith: Poetry and Perfidy
Smith’s formal inventiveness is not limited to a single style, medium, or approach.
by Robert C. Morgan

New Sculptural Realism: Rethinking Objectivity
There is a hunger for the “real” among contemporary sculptors and audiences.
by Ray Cronin

Defining Cultural Value: A Conversation with Toland Grinnell
Grinnell’s sculptures simultaneously mirror and subvert consumer desire.
by Ana Finel Honigman


Forum: Richard Hunt in Michigan by Susan Wilczak
Focus: Marlene Alt by Nancy G. Heller
Focus: Paul Kittleson by Kathleen Whitney
Focus: Karen Rich Beall by Rebecca Dimling Cochran
Postscript: ISC News


New York: Ann Sperry
Berkeley: Vincent Fecteau
Los Angeles: Bill Viola
Washington, DC: “Fiberscapes”
Sarasota, FL: Leslie Fry
Chicago: Emmanuelle Antille
Long Island City, NY: Lawson Oyekan
New York: Matthew Barney
New York: Jean Blackburn
New York: Michael Zansky
Cleveland: Charles Tucker
Havana: Carlos Garaicoa
Cambridge, U.K: Dilys Jackson
London: Anish Kapoor

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