A publication of the
International Sculpture Center
Starting with the January/February 2019 issue, the redesigned Sculpture print magazine will now appear six times per year. It will have a new, horizontally oriented format and will contain even more pages of content-- gorgeous photography, essential essays, and incisive features that readers will want to return to again and again.
On the Cover
Jacob Hashimoto, The Eclipse, 2017. Paper, bamboo, acrylic, screenprints, and cotton thread, view of installation at Leila Heller Gallery, Dubai, UAE. Photo: Courtesy Leila Heller Gallery, Dubai
In this Issue...
One of the enduring features of art today is an engagement with past modes and movements that reproduces their look while stripping
away, or substituting for, their original ideological frameworks. In this issue, for instance, Mary Early says she sees herself as a
Minimalist sculptor, some of the time: "I do work from a somewhat rigid set of materials and processes whose forms generate their
own reconfigurations." Kay Whitney, writing about Minoru Ohira, points out that the artist's "work can be seen as a private, handcrafted
reaction to Minimalism…placing the experiential over the visual." Each to a large degree ignores the aesthetic ideology of
Minimalism, while maintaining some of its formal qualities. This shift of emphasis is most notable in Kerry James Marshall's Monumental
Journey, the subject of a fine discussion herein. With that piece, Marshall created a form that certainly recalls Minimalism,
but he uses it to powerfully address race.
Our aim at Sculpture is not so different: to take the old form of the magazine and imbue it with fresh ideas. We hope you
enjoy the effort.
Also, in the print and digital version of December's Sculpture - Itinerary, Commissions and ISC News.
December Online Feature: Components of Human Folly: A Conversation with Jacob Hashimoto
When Jacob Hashimoto entered the School of the Art Institute of Chicago, he planned to become a Minimalist
painter like Robert Ryman, Brice Marden, or Agnes Martin. At one point, he ran out of ideas and just sat
by his easel...