On the Cover
Kendall Buster, model City (Stage One), 2013. Paper, foam core, cardstock, paint, and glue, approx. 4.49 x 14 x 10 ft. Photo Siemon Allen.
In this Issue...
The artists featured this month are genre-busters, collapsing sculpture, architecture, design, technology, and science to play with perception,
experience, and sense of place in a changing world. Kendall Buster's proliferating models ask how sculptural objects behave as architecture
and vice-versa, giving new perspectives on spatial control. Hemali Bhuta, whose work is rooted in architectural ideas, rejects permanence and
stability in favor of fragility and disruption. Alistair Wilson, another artist interested in ephemerality and process, draws inspiration from manmade
places left to revert to nature; while Graeme Patterson roots his installations in places of alienation, where humans and the natural
world frequently collide. Mariana Castillo Deball treats architecture as artifact, merging historical accounts and personal experience; and Sofi
Zezmer interprets the urban experience through objects that double as organisms.
Also, in the print and digital version of June's Sculpture - Itinerary, Commissions and ISC News.
June Online Feature: Animating Sculpture: A Conversation with Graeme Patterson
Graeme Patterson makes multi-disciplinary sculptural installations, often with the end game of stop-motion
animation in mind...
Read The Entire Article Executive Director's Letter
Don't forget to visit our sculpture parks and gardens section on page 58 for some great summer travel ideas...