Sculpture January1998 Vol.17 No.1
Contents/Complete text in print version available at fine newsstands and through subscription.
The history of collaboration in public art, including its processes and participating assemblies, is still largely invisible after more than 25 years of sustained activity. by Arlene Raven
A pioneer in the sculptural use of light, Stephen Antonakos discusses his use of neon and his recent architectural constructions, including a chapel for the Venice Biennale. by Zoe Kosmidou
Mary Lucier's ground-breaking video installations deal with the relation of the body and the land, tradition and innovation, and sculpture and theater. by Nicholas Drake
Focus: Ronald Gonzalez by Sherry Chayat
Focus: Tom Bevan by Brian McAvera
Dossier: Barcelona by Anne Barclay Morgan
The Evolution of Sculpture Tools by John de Marchi
Paris: Tadashi Kawamata
Los Angeles: Robert Gober
Santa Monica: Stefan Lindfors
San Francisco: Susan Schwartzberg and Ali Sant
San Diego: Jay Johnson
Washington, D.C.: "Brazilian Sculpture"
Brockton, MA: Stephen Whittlesey
St. Louis: "Expanding Textile Concepts"
Nashville: Michael Aurbach
Virginia Beach, VA: Mara Adamitz Scrupe and Jann Rosen-Queralt
McLean, VA: "A Permeable Edge"
Seattle: Tom Rudd
Seattle: James Lee Hansen
London: Avtarjeet Dhanjal
Dublin: "Ireland and Europe"
Montreal: Nicola Hicks
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