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Harry McDaniel

95 Cumberland Circle
Asheville, NC 28801, U.S.A.
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Phone: 828.258.2742

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In recent years, my primary focus has been artwork for public spaces.  Most of those pieces have been outdoor sculptures in aluminum, but I have also created some mobiles and I have worked with other materials.  The kinetic aspect of my mobiles has evolved into outdoor kinetic sculptures.

Through the years, my artwork has been diverse in materials, style, technique, and content. It is difficult to explain the diversity, except to say that I love to experiment and I am drawn to new challenges. I have worked with wood, metals, cement, plastic, and found objects. Some of the threads that tie my work together are humor, a fascination with curves, motion (or implied motion), and an interest in the human condition. My sculptures can roughly be divided into two parts--decorative works and social commentary.

Decorative Works and Public Art

My decorative works include freestanding sculptures (indoor and outdoor), wall pieces, and mobiles. They range in size from tabletop pieces to a 200' long outdoor sculpture (Ghost Train). These works tend to be curvy, abstract, distorted geometric forms. Most embody a strong sense of motion. I am intrigued by motion or, more accurately, the paths taken by objects in motion. I love to let my eyes trace the path of a bird swooping through the air or a fish gliding through water. Many of my sculptures are like 3-D snapshots of such motions.

Mobiles and Kinetic Scuptures

While most of my decorative pieces contain aspects of implied motion, the mobiles and kinetic sculptures are literally in motion. The delicate balance and suble, graceful, gliding motions of mobiles have intrigued me since I was a child. As a sculptor I appreciate the ever-changing shapes and intersections of lines. My largest mobile is a 55' long installation created for a hospital lobby (Eclipse).

Social Commentary

My works of social commentary include the American Artifacts series, figurative pieces, and other works. These pieces often include an element of humor. The materials are often related to the meaning of the pieces. Some pieces are based on my personal experiences and struggles; others are derived from my observations and understandings of the world around me.

American Artifacts

The series American Artifacts is a group of mixed-media sculptures accompanied by text. The work is created and presented in a form that simulates an exhibit in a natural history museum. At first glance, the sculptures appear to be artifacts from some foreign or primitive culture, but on closer inspection one finds that the "artifacts" are derived from objects common to modern life in the United States. The accompanying text describes the objects in a style reminiscent of the descriptions one might find in a natural history museum beside stone axes and broken ceramic figurines, yet it refers to our own culture.

Figurative Works

A significant amount of my artwork has included the human figure in one form or another. My work has included life-size figures, portions of figures, and installations using mannequins. I find something particularly compelling in life-size human figures. They tend to create a strong presence in a room regardless of the style or material. We are "programmed" (psychologically if not biologically) to relate to the human form in certain ways. When a viewer encounters a figurative sculpture he brings a certain familiarity that, at least for a moment, allows him to feel a likeness to the sculpture. The viewer also feels his difference of course, and from this contradiction he must draw some meaning.


In all of my work, whether decorative or provocative, I aim to offer viewers a new viewpoint. The entire range of my sculptures (more than 100 images) can be seen on my website: <>.

Public Art Projects

2013            Flourish; Rockville Senior Center; Rockville, MD
2012            Beacons; Florida Gulf Coast University; Fort Myers, FL
2011            Cormorant; Valdosta State University; Valdosta, GA
2011            A Flower for Giving; Lenoir Memorial Hospital; Kinston, NC
2010           Ghillie Dhu’s Enchantment; City Center Park; Gastonia, NC
2008            Deco Gecko; Pritchard Park; Asheville, NC
2007            Redbird; Fred Fletcher Park; Raleigh, NC
2004            Dancers; Florida State University;Tallahassee, FL
2004            Spires (purchase); Florida Atlantic University; Boca Raton, FL
2003            Fiddleheads; UNCA-Kellogg Center; Hendersonville, NC
2003            Ghost Train; New River Trail State Park; Pulaski, VA
2001            Avian Muse; 30' long mobile; Robert Morgade Library; Stuart, FL
2000            Neptunian Frolic (purchase); Brevard County Health Dept.; Titusville, FL
1999            Eclipse; Outpatient lobby, Moore Regional Hospital; Pinehurst, NC 
1988            Agrisculpture; suspended sculpture; Agricultural History Park; Derwood, MD

For exhibition history and additional biographical information, please refer to: <>.